Academia, Revisited
After nearly five years of focusing solely on building my private studio, creating content, and nurturing a thriving, global clientele, I’m excited to share that I’ll be joining the faculty at Oberlin Conservatory of Music as a Visiting Assistant Professor of Music Theatre Voice.
To say this is full circle would be an understatement.
When I chose to step away from academia during the height of the pandemic, it wasn’t easy. In fact, I cried. I had spent the first seven years of my career teaching in college and university settings, and I loved every minute of it. Letting go of that chapter was a hard, prayerful decision. But I knew, in that season, I needed to redirect my focus—to pour into my clients more deeply, to expand my studio’s offerings, to embrace content creation full-time, and to take a bold step into building something that was mine.
And I did just that.
The Jaron M. LeGrair Studio has grown beyond anything I could have imagined. From workshops to digital resources to real-time coaching, I’ve had the joy of working with singers and speakers across genres, platforms, and continents. And yet, a part of me always knew I’d return to the classroom. Not out of obligation, but out of love.
Now, I get to do both.
To be invited to teach, research, and serve in a space where my interests and gifts align so clearly is a reminder of just how good God is—and how He listens when we pray. This is a prayer answered in the most beautiful and unexpected way.
I’m also incredibly thankful to those who have played a role in this moment coming to life—Victoria Bussert, who believed in me long before any of the “social media fame” and has been a consistent advocate for my work over the years; Matthew Webb, for the warmest welcome and the excitement of collaboration ahead; and Matthew Harris, whose small but powerful nudge helped guide me right to this door. I’m deeply thankful to my family—especially my brothers—for listening to me process this opportunity (and giving veeeery honest advice, as only they can haha), to my cousin and forever “fave” Adriann Winn for celebrating this and every win alongside me, and to Terri Link for being a steady sounding board during my decision-making. I’m excited to work with my colleagues in the Oberlin Musical Theater Faculty and at the Conservatory as we help shape something truly special.
I’m especially excited to join Oberlin at such a pivotal time, working with the inaugural class of a brand new, forward-thinking music theatre program. It’s innovative, imaginative, and artist-centered—everything I care about in both voice training and education.
This doesn’t mean I’m stepping away from my studio. If anything, it means I’m spreading my wings further. I’ll continue working with clients, offering resources, and creating content just as I always have—while also investing in the next generation of artists in a more formal academic setting.
I’m grateful for the opportunity. I’m thankful for the support. And I’m excited for what’s ahead.